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Caring Spaces,
Learning Places: Children's Environments That Work
1988
Exchange Press
Redmond, WA
By Jim Greenman
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"To Live in an environment
that has to be endured or ignored rather than enjoyed is to be
diminished as a human being."
Sinclair Gauldie (1969). Architecture: The Application
of the Arts. London: Oxford University Press. (p. 182)
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Book Review
by
C. Kenneth Tanner (July 2000) -
There appears to be a gap in the significant amount of attention given
to physical learning environments. The literature is sparse on the
topic (see other articles on this web site) of how the learning
environment may influence students on the affective, behavioral, and
cognitive dimensions of learning. This book, although published in
1988, is worth reading because it brings a fresh approach to how
physical learning environments and people interact. (My comments). This
book (out of print) may be backordered from several electronic web
sites and local book stores. It received a 5 star rating from
Amazon.com readers.
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In the
Forward of Caring Spaces, Learning Places: Children's
Environments
That Work , Elizabeth
Prescott notes that "It has been said that fish can tell
you little about water." (p.3) She contends that people can
tell you little about their physical environment. Dr. Prescott
admitted that the information in 1988 about childhood environments
was scarce, except for standards for square footage, amount of
light (which is still largely ignored
today), number of toilets, and fire
safety. Unfortunately, minimums, instead of optimum program quality,
were established in the areas of square footage and space
relationships.
We all know that minimum often becomes the standard. The
significance
of this book lies in the author's skill in showing how ordinary,
everyday work with children which may be deemed dull and burdensome
can be transformed into meaning that can last a lifetime.
Geenman begins by sharing one of his experiences (a Maalox moment for
sure). "My first experience as a teacher came in 1967, in a summer
day Head Start classroom located in (where else?) a church basement.
I waited for my 18 four year olds to come in off the bus, putting
the finishing touches on my classroom: tables with assorted activities,
block corner, dress-up area, and bookshelf with colorful books.
In they came, some shy, most excited. Then in came Carlos, two
feet tall, with a foot high Afro, and a look and bearing about
him that proclaimed: here was a man among men.
The other children clearly looked up to him (figuratively speaking).
Carlos coolly surveyed the room where he was to spend eight hours
a day, five days a week, for the next twelve weeks. A sinister
uneasiness hung in the air. I began to get nervous, because it
was clear that the children were waiting for Carlos's judgment
on my efforts. It came soon. "This place is dooky,"
Carlos pronounced. (Carlos always pronounced, he never spoke.)
Soon all the children began chanting, "This place is dooky,"
and I saw my summer rapidly deteriorating.
Well, I survived that trial by making Carlos my main man, planning
some great experiences, and establishing a good rapport with the
children. But it took me ten years to learn all the
implications
of the lesson Carlos taught me. Carlos recognized at a glance
that the church basement was a crummy place to spend the summer.
My cheery presence and imaginative activities helped only a little.
Carlos knew that places are not containers for experience nor
simply stages for interactions between people, large and small.
They are, in Elizabeth Prescott's words, "regulators of our
experience" (1979, p.1)
[Elizabeth Prescott, (1979).
The Physical Environment - A Powerful Regulator of Experience,"
Child Care Information Exchange, April, 1979.]
The book is
filled with illustrations.
There are approximately two illustrations per page (These are
images of children doing something relative to the topic of the
section being presented). In addition, there are numerous vignettes
placed appropriately to make points relevant to the text. Some
of these are research based literary sketches related to the topic
of discussion. Sketches and drawings such as the three linked
in this review are also prevalent. The text offers a collection
of poems. I have presented two in this review. Finally, the author
has a sense of humor as you discovered while reading about Carlos,
the pronouncer.
Part One:
Understanding Children's
Settings
Greenman acknowledges that an environment is a living, changing
system. More than physical space, it includes the way time is
structured and the roles we are expected to play. It conditions
how we feel, think, and behave; and it dramatically affects the
quality of our lives. The environment either works for us or against
us as we conduct our lives. In the Head Start setting, it worked
against the children and me and placed a burden on our talents,
patience, good will, and energy. The environment at a given moment
in time is either a pleasing place to be or it isn't. The basement
wasn't that day in June and all the other summer days, for the
children or for the adults.
The book is for planners, designers, educators, architects, and
decision making boards as I see it. Greenman stated that the book
was written for teachers, directors, parents, and children - all
those who have a stake in having settings work for them and be
reasonable places to be [I agree
with that also.] He contends that
the all too ubiquitous church basement is a symptom of the lack
of resources this society allocates to its youngest members. Programs
become used to working with minimal space, minimum [Perhaps the author
means maximum ratios?]
adult-child ratios, minimal equipment, and so on and so on.
Much of the focus of the book is on all day child care settings.
These settings encompass nearly all the environmental issues and
needs of other early childhood settings: nursery and preschool
programs, playgrounds, and playrooms. A central tenet of the book
is that we need to view these settings as places where children
and adults live together.
I could continue with these statements, but perhaps we should
look at this reference as a guide to thinking about school design
and planning and how these elements influence learning. First,
Greenman establishes a context:
Part One: Understanding Children's Settings
Are the environments oriented toward children or adults? Do the
settings bring feelings of personal power or significance, of
security, or fear?
"Space Speaks to each of us. Long corridors whisper "run"
to a child; picket fences invite us to trail our hands along the
slats." (p.16)
"Hot colors like reds and oranges stimulate; they are used
in restaurants because they stimulate our appetites and speed
up our eating." (p.16)
"Our experience of space and time is individual, but it occurs
in a cultural context." (p. 19)
This chapter ends with 3 exercises, one of which is: List settings
where you feel relaxed and relatively at home and settings where
you feel awkward. Look for elements that seem to affect your feelings.
What are some of the life styles that children live? Various
descriptions
of days in children's lives provide an understanding of what the
life of a child might entail. One significant conclusion is that
children are over managed. They have fewer and fewer opportunities
to simply mess about and follow their dreams. Consequently,
each successive generation is loosing opportunities for delight
and wonder.
Next, the nature of schooling* is discussed and the factory model
is called into question. One assumption supported by a Carnegie
study cited in this chapter is that schools
are mindless, joyless, rigid, and petty.
They destroy the hearts and minds of children in them. Back to
the basics is regarded as back to old methods and old materials
- back to the factory emphasis on worker productivity (teachers'
accountability)
and quality control (student testing).
Other components include:
-Children need an environment rich in experience.
-Children need a childhood rich in play.
-Children need a childhood rich in teaching.
-Children need a childhood rich with people.
-Children need a childhood where they are significant.
-Children need a childhood with places to call their own.
*[Mark Twain said, "I never let schooling interfere with
my education."]
Open and closed program structures are discussed. Closed centers
offer the hardest setting and the fewest opportunities for sensory
play, exploration, discovery, and experiences with ranges of materials
and people. Open structure centers are significantly higher in
these dimensions, but family day care homes are rated the highest.
(p.39)
According to research reported by Elizabeth Prescott "The
advantages of effective closed structure lie in its clarity of
expectations, its opportunities for a child to experience him-
or herself as an important part of a group, and the practice involved
in attending to adult input. Its hazards stem from the restrictions
necessary to maintain the structure: requirements to maintain
specific body positions, limits on mobility, absence of opportunity
for tactical sensory stimulation, and performance demands that
may undermine self-esteem (for example, 'All right children, sit
up straight, don't wiggle, don't touch your neighbor, and be ready
for my question'). In addition, structured transitions tend to
consume large amounts of time (p. 40).
The advantages of open structure lie in its ability to foster
initiative and reward child-child relationships and in the
opportunities
for mobility and tactile sensory stimulation. Its hazards lie
in the difficulties of maintaining focus for individual children,
in providing sufficient complexity for meaningful choice, and
the tendency toward diluted adult input. (p. 41)
The nature of babies (children under two) and toddlers is presented
with an eye on the physical environment. What babies and toddlers
do is clearly defined. For example, babies "experiment endlessly."
(p. 49)
Environments for Babies:
Paradox # 1
A. The most important ingredient in good care for babies is the
child's caregiver.
B. What separates high quality programs from others (adult-child
rations and group size being relatively equal) is often not the
caregivers but the environment.
(Click here to see a suggested
environmental arrangement.)
The play environment, for example, should be developed as a wonderful,
interesting place that continually captures a child's attention
and is laid out to ensure individual and small group experiences,
without the continual presence of many watchful adults. The learning
environment should include built-in opportunities for motor and
sensory experiences, the ranges of places to be with different
visual and auditory stimulation, the number of protected spaces
for young babies, and the problem solving opportunities for small
detectives of varying interests and skills. Lying on the floor
you should see pathways and small divided spaces - opportunities
to go in and out, up and over, and so on; to be alone, to be enclosed
on three sides, and to peer over thirty inch walls. (p.55)
Paradox #2
A. The caregiver's knowledge and sensitivity to children is the
single most important quality to consider.
B. In centers the adult relationships are central to good infant
and toddler care.
Space
characteristics are important to the child's physical environment.
Size and scale give a space its feel and sense of workability.
Scale is the proportion of an object relative to its surroundings.
The most significant objects to consider as reference points are
people. Scale is as aspect of size, numbers, and even time. It
is an important dimension to children's programs where inhabitants
may range from 18 inches tall and 10 pounds to 6 feet, and let's
just say very large.
Scale affects how we feel. In a sports arena we feel part of a
mass or, if we are down on the field, we feel the focus of mass
attention. These feelings, of course, can be exhilarating or
frightening..
Children, who operate most of the time in outsized surroundings,
gravitate to the tiny in spaces, objects, and living things. But
children grow big before they grow well coordinated, and their
need to move and exercise makes larger spaces desirable as well
(pp 61-62)
Scale affects our behavior and our ability to act competently.
Try sitting in a preschool chair or climbing a child's stairway
to experience awkwardness as an adult.
Child scaled furnishings, equipment, and toys allow children to
behave competently and feel powerful Child scale is critical where
we expect children to become independent and competent. (p. 62)
Social density refers to how many people inhabit the
space.
If there are too many people in a given space, we usually react
negatively. Children react both by withdrawing, physically and
socially, and by acting aggressively. The number of people affects
the size and quantity of the objects possible in a working space.
The more people, the more empty space is necessary for people
to feel comfortable. The feelings of being crowded is the feeling
of being observed, of being in the continual presence of others.
Visual separation in space reduces the sense of crowding. (p.63)
But there is an individual and cultural dimension to density as
discussed by Kitchevsky et al (1969) and Hall (1969).
Kirtchevsky, S., Prescott, E. and
Walling, L. (1969) Planning Environments for Young Children: Physical
Space Washington, DC: NAEYC.
Hall, E. (1969). The Hidden Dimension. Garden City, NY: Doubleday.
Children of certain ethnic groups, Mexican Americans, for example,
function well in what to most middle class Americans is relatively
crowded and congested space. (p. 63)
Our perception of crowding is affected not only by space but by
smell and sound, and even more importantly, temperature and humidity.
A crowded, hot room is much less bearable than the same number
of people in the same size cool room.
There is a time element as well to social density. Spending
a large part of the day in a large group is wearing, whether in
a school or family gathering. (p. 63)
Link
to Article on Social Distance > Research Based on the Concept
of Social Distance >
Greenman makes a sound case for aesthetics
and the aspects of aesthetic appeal:
The
aesthetics in children's settings
are, as is everything else, a tradeoff of cost, convenience, and
health concerns. Plants and animals require tending. Fluorescent
lighting is cost effective, uniform lighting results in maximum
flexibility. Washable surfaces are healthier and more functional:
water, earth, and clay are messy, and so on. Too often the tradeoffs
don't take into account equally important concerns - appreciation
for the rich stimulating nature of children and the importance
of beauty in our lives. (p. 64)
Under
"aesthetic" heading Greenman
reviews lighting, art and display, and texture.
Other significant design patterns include:
Entries and
Pathways
Spatial
Variety
On the topic
of dimensions of children's
settings the reader will find enlightened discussions on:
Comfort and
Security
Softness
Safety
Health
Privacy and
Social Space
Order
Structuring
Space
"The path of learning is more like a butterfly than that
of a bullet." (p. 82)
Structuring
Time
A Lazy Thought
By Eve Merriman
There go the grown-ups
To the office,
To the store,
Subway rush,
Traffic crush,
Hurry, scurry,
Worry, flurry.
No wonder
Grownups
Don't grow up
Any more.
It takes a lot
Of slow
To grow.
Ritual
Mobility
The Adult
Dimension
Part Two: Putting Quality Environments
Together Piece by piece
The Building
and Site
"Why do we
think humane learning
can go on in buildings that look as if they were designed to hold
atomic secrets?" (p. 96)
- A Proper Place
- by Robert Nye
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- Outside my window
- two tall wich-elms
- toss their inspired
- green heads in the sun
- and lean together
- whispering.
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- Trees make the world
- a proper place.
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- Interiors:
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- Walls, Windows, Doors, and Lighting
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- 'In a high quality program, nearly every inch of wall space
has potential as a window space for display, communication, or
activities.
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- Caring
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- Eating and Drinking
- Bathrooms and Diaper Areas
- Sick Children
- Sleeping
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- Storage
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- Room Arrangement
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Link to Layout of a Room (
p. 140) >
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- Indoor Learning Environments
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Link to a Sample
Environmental Planning Sheet - Toddlers (p 157) >
Outdoor Learning
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"The outdoors
has weather and life,
the vastness of the sky, the universe in the petals of a flower.
But many programs, following the model of schools, have seen the
very qualities that make the outdoors different as obstacles or
annoying side effects. The openness is tightly constricted; weather
provides a reason to stay in, and landscape and life are things
to be eliminated. A playground, considered the primary, if not
the only outdoor setting, performs the same function as a squirrel
cage or a prison exercise yard - it is a place for emotional and
physical release and a bit of free social interchange". (p.
175)
See:
Green Areas, Living Views, Outdoor Rooms, Outdoor Spaces >
Changing
Spaces, Making Places
"Social
design is working with people
rather than for them; involving people in the planning and management
of the spaces around them; educating them to use the environment
wisely and creatively to achieve a harmonious balance between
the social, physical, and natural environment; to develop an awareness
of beauty, a sense of responsibility, to the earth's environment
and other living creatures; to generate, compile, and make available
information about the effects on human beings. Social designers
cannot achieve these objectives working by themselves. These goals
can be realized only within the structures of larger organizations,
which include people from whom a given project is planned/"
(p. 199)
From:
Sommer, Robert. (1983). Social design : creating buildings with
people in mind. Englewood Cliffs, N.J. : Prentice-Hall.
Conclusions
and Comments
This has been
a rather atypical review
and I hope that I have stayed within academic bounds. However,
the work is so relevant to the works of the SDPL, that it was
impossible to put the book
down. This is an outstanding book that should be revised and reprinted.
I strongly recommend it to all architects, facility planners,
school leaders, and educational decision makers.
- C. K. Tanner
- July 2000
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