Personal Narratives of Elite College Athletes: Stories of Career-Ending Injuries Stephen C. Brock Douglas A. Kleiber Martha White University of Georgia That was the hardest year: from going from being a part of the team ... to my sophomore year - not being anything. Interpretive Context: Numberless are the traces in the records of the human sciences of struggles to say something abstractly "true" about human behavior. Our aim, however, is concrete and links us with the world of physicians and patients where the guiding value is "utility;" where something "true" but not useful is an unwelcome guest. The urgency of "utility" is evident in the injury narratives of elite college athletes - the informants in this study. Injury shrinks the ill-one's universe; where once the body was a gateway to a wide world, injured, it becomes the only world. In this diminished universe, only that which is most relevant to it has meaning. The qualitative work discussed in this paper and the quantitative work to which it relates were undertaken in order to examine, extend, refine, and challenge the following proposition: Medicine ought rightly be conceived as the practical expression of the "sciences of persons," i.e. as requiring more than one scientific approach. The 17th century - modern - view of the "science of things" which undergirds biomedicine, has found success by reducing "person" to "object" on the way to revealing "mechanisms of action" of disease or injury, leading often to prediction and beneficent control (Foss & Rothenberg, 1987). "Narrative" (as it will come to be understood in the present context) is concerned with illness and offers a needed complementary science. Narrative is not a total stranger to Medicine. In a small corner of Psychiatry where an existential approach is embraced, a "life-story" approach to patients is advocated as the "hermeneutic" complement to the "positivist" perspective on psychiatric patients. Ours is an attempt to "foreground" this perspective, to develop it as theory and practice useful to all of medicine, - essential in primary care - rather than leave it to those few psychiatrists whose self-confidence permits them to look beyond the "disease" model of illness. In a narrative approach, "illness" is conceived as a threat to a life-narrative, rendering unlikely an assumed future-self. While all future-selves are embodied, emphasis on future embodied performance varies. A life-narrative of successful parent differs in its detailed concern with embodied performance with a life-narrative of professional linebacker. The injured college athlete who shapes his/her life-narrative exclusively around continuing (readily envisioned) embodied performance in sport, offers a bold specific depiction of the general experience of "illness". A narrative approach is a practical expression of postmodern scientific thinking (quantum mechanics and chaos theory apply) - an outgrowth of phenomonology, philosophical anthropology, literary criticism, philosophy of mind, cultural anthropology, symbolic interactionism, folkloristics, narrative psychology, existential psychiatry and more - it takes the "person" as intentional being, capable of authoring and narrating a life-story (influenced by culture), and capable of interpreting life experience in such a fashion as to "re-story" a life-narrative disrupted by illness. The assertion that a narrative approach should complement the biomedical approach evokes many questions. Some are theoretical, ie. How can Narrative be construed as "scientific"? Others are pragmatic. How is the physician to solicit an illness narrative? When? What is the significance of the patient's commentary on his/her illness narrative? Is it the patient's commentary that changes as a result of therapy? Our initial approach to such questions was inspired in part by findings form a quantitative analysis of survey data comparing "reliable and valid" paper and pencil measures of well-being of uninjured elite athletes with those of seriously injured ones (Kleiber and Brock, 1992). Of those who had been injured, only those who had been invested in playing professional sport were likely to show relatively lower self-esteem and life satisfaction five to ten years later. From the perspective of illness as disruption of life-narrative, with attended "symptoms" of identity confusion and loss of self esteem, one could argue that some of the respondents were still suffering "illness" long after the injury resolved. To adequately address this proposition, and approach the questions raised above as well, we needed a more qualitative approach to interpreting the personal narratives of seriously injured elite athlete's? For this pilot qualitative analysis of illness narratives, we considered five interviews we had conducted face-to-face with female injured athletes who were currently enrolled in university and eight telephone interviews with males who had participated in the earlier survey research project, whose careers as elite athletes were ended almost two decades earlier. We asked each informant to tell the "story" of their sport injury and any probes were requests for elaboration. By first applying Mishler's (1986) "core narrative" approach to interviews of 13 seriously injured elite college athletes and, then, by analyzing these narratives from the perspective of "liminality" (in the tradition of anthropology of initiation) and "stigma" (in the tradition of sociology of deviance), we are able to address the following "narrative" questions here: What are the effects of a disrupted life narrative on the person's identity/self-esteem? Are there patterns in the stories of illness? What role does culture or the patient's "world" play in the construction/presentation of illness narratives? I. On identity and self-esteem: Depending on the character and the life story of athletes, on the idiosyncratic way each dreams of future sport attainment, the troubling effects on identity and self-esteem of an injury which ends their sport career are either severe or mild - but apparently unavoidable. First the voices of women athletes: Being out of swimming I had a chance to see myself as a person and before I always saw myself as X___-the-athlete, somebody who doesn't have to do anything else because she is so good at swimming that she's got something that she's good at and as long as she goes to practice everyday and works hard she doesn't have to concentrate an anything else. And now I have to concentrate on making myself a whole person and my injury - it was good in that aspect - but -I mean going back to being upset and everything - I - I still get real upset allot because I feel -um- I don't have that to fall back on -If somebody asks me, "What sorority are you in?", it was always easy for me to say , "Oh I'm an athlete. Now its hard for me to say I'm an athlete because I'm not really an athlete anymore. You know and now its something I don't have. I don't know what I am right now. That was another part of my life that was just not existent anymore. When I left track - not only did I leave the track team - I left the athletes - I don't go in the training room anymore - where I used to see baseball players, basketball players, football players - tennis - etcetera... I don't go into the weight room. I see none of the other athletes. I am - to me - athletic, though no longer an athlete....I don't like it. I liked being an athlete. I liked that closeness that to me - you know - you get being an athlete. I mean there is a bond between all athletes because its hard - its hard just being an athlete.(DB) ...I think - mad, kind of, inside; angry at myself and at just trying to blame everything, everyone, myself and everyone else for how I felt and knots, kind of, still in my stomach about it all. So it just didn't end the way I wanted it to end. But now I think I gave it the best shot I could... And a few of the comments from the men looking back at their reactions to their career- ending sport injury: I just - kind of - resigned myself to the fact that that was the end of things. I was heart broken, let's face it. I think anybody that's ever picked up a baseball or basketball or football or had dreamed about playing professional -I mean, you've always been led to believe that that's easy street, you know. Big fat salary and fan adulation and summers off or whatever... I was pretty much resigned to the fact that I was going to be part of the other 99% that never makes it. You know I got farther than most people ever got anyway. I was pretty sick about it. I was disappointed. One, because you're not in the spotlight anymore and I think that whenever you're in the spotlight and then it's shut off for you, I think there's always some kind of identity crisis and I'm sure there was. I really don't recall at this time because now I look back at it as a positive aspect but I'm sure I had a problem with it at the time. II. The stories of these injured athletes are patterned: * Prologue - a celebration of the athlete's gifts through "recognition" of high school sport performance; for example, I started playing basketball in 5th grade and I've always been tall so and I guess I got my ability from my dad because he played and he was good and so I kept playing and I went to a high school that had a outstanding girls basketball program... Our team went to the state tournament every year I was in high school and I was highly recruited my junior and senior years. * Chapter one - choosing the university at which to best express athletic gifts; usually preparing for a future-self as athlete, sometimes pursuing education towards an additional possible future-self; for example, ... I was a little late deciding what university to attend and "State" (located in his home town) in the meantime had signed quite a few players whose names I had recognized from reading publications and things as good high school players and I saw the potential to be part of a potentially good football team and "State" expressed quite a bit of interest in me more than some and less than some others so I just decided to go ahead and attend there and I would be housed in a dormitory on campus so I wouldn't be staying at home so it would be more or less an away from home college experience but I would still be in town and I was familiar with all the surroundings and things like that. * Chapter two - collegiate participation in sport and the injury episode - either the injury is incremental and invisible or sudden and apparent (with consequences for the themes of later chapters); for example, So they took me to a doctor but the doctor couldn't find anything wrong with it because looking at it and feeling of it he goes, "Ok, this is a cartilage problem." He goes, "But it's nothing major, you know, you'll be fine." Well I go, "Like that's fine". So a few months passed and it got to a point where I couldn't walk, my knee would just hurt so bad that if I put my foot down I could feel pain shooting all through my leg and I finally told my trainer and she's, "Like just stop." She said, "I knew there's something wrong, somehow I will convince them something is wrong so just don't run anymore". It happened on Christmas of my freshman year and we had a (gymnastics) meet in 14 days. And ___ (a coach) was sitting right there watching and he heard it pop out the side and it just like rolled over and I couldn't stop because I was still going and so I finished the time pass and I just kindof like "jelloed" to the ground and I squeezed my ankle as hard as I could and when I was down at ____ (a training program) we were always taught that if you can get up and walk you better and you don't cry and you work with injuries, that's just the way that life is. So I squeezed my ankle as hard as I could to make the pain go away. And ___ was trying to pry my fingers away going, "Let me look, let me look." I had this big old ball on the side of my ankle and I went and iced it and went home and iced it ... * Chapter three - rehabilitation and the decision about, and attempts to return to active sport participation; for example, I mean this thing (scar from surgery) has to be 12-14 inches long and you it was all hard and itches and everything and I thought, "Oh my gosh what have I done here?" you know. But I hung in there and I worked diligently and would go once or twice a day and I would start with whirlpool treatments to loosen things up and then I would try to catch somebody around there that would help me bend my leg back to stretch it, to loosen it up so that I could regain mobility... And the whole time you know one of the trainers there... he wasn't real confident I'd be able to come back and he kindof would drop hints here and there and I was determined that I was going to beat the thing Well, you know I had been a winner all my life and the team that I went in with was a good team and I was going into my senior year and we were ranked number one. I figured we could win the national championship and I ... I wanted to be a part of this success that I knew this team was going to have and I worked and worked and I decided that that's what I wanted. * Chapter four - the recognition of the "career ending" nature of the injury/disease and the decision to stop; for example, I knew then that I wasn't going to be the athlete that I was...I kindof knew as I went through the season and I didn't say anything to anyone because - like I talked with my family and Dr.___ and I didn't say anything to (the coaches). They knew that I was going to be limited to one event the rest of my time here... That went without saying and I went to (the head coach) at the end of the season, you know, after everything we had two weeks off before we start working out again and I went out to her house and... I was sitting in this rocking chair and ...I said, "Just wait a second I've got to catch my breath." and it was the hardest thing I had done. I just said, "This is not fair to me or to you or to the team. I can't do this. Here I'm risking injury every time I land a bar dismount. This is not fair to me..." I said, "I don't feel I can give the team as much participating as maybe I used to... it's not fair and she understood and we had a long talk... * Chapter five - the experience of loss - with feelings of confusion, isolation, guilt, anger, bitterness, disconnectedness (in various combinations and degrees) along with the feeling of relief for some. These reactions will be documented fully later in this paper. (The stories told by those currently in college ends with Chapter five, leaving to the reader/listener to imagine a future resolution.) * Chapter six (in stories told from the distance of nearly 20 years from the injury episode) places the injury in a context, and addresses how this disruption to their then- life-narrative has influenced its authorship since; for example, Well, I think it's a lot like being fired from a job. I mean, I was with... when I first got out of graduate school I was with a company for 10 years and we were bought and sold and bought and sold and I finally told my wife you know one of these Fridays I'm going to come home and I'm going to have all my stuff with me and sure enough about six weeks later - and it was a similar feeling. I mean it was some place that you had gone to for 10 years straight. You knew everybody, you had good relationships with, you know, normal corporate culture may be intense and all of a sudden you don't go there anymore and it (the experience of his sport injury) was the same kindof a feeling. III. On the effects of culture (the athlete's world) on the injury narrative: Having asserted that a pattern of injury stories exists and that a key element of that pattern is a threat to self-esteem and identity, what is the status of our third question? What do we learn from inquiring about the role of the patient's "world" or culture in shaping these particular patterned expressions of illness-as- disruption-of-life-narrative? We find the "mechanism of action" which gives rise to a pattern. Recall the quote which introduced the paper: That was the hardest year: from going from being a part of the team ... to my sophomore year - not being anything. This sentiment took many forms in these athletes' stories, for example: As practice wore on I could see they weren't going to give me the opportunity (-) to regain my position. I was - kind of -pushed off to the side as a - what we termed back then as a AYO - All You Others - there was the first and second string and,(-) and the rest of the team. You know - they referred to them as the AYOs and that's where I ended up. How can we understand this reaction to the loss of place in the world of sports? The concepts of LIMINALITY and STIGMA which have illuminated the life-world of disabled persons (eg. Murphy, 1990) are useful to exploring the athletes's experience of loss and the threat to identity which occurs when the decision to end the sport career is taken. "Liminality", was first coined at the turn of the century by anthropologist Arnold van Gennep (1960) and then refined in the work of Victor Turner (1967). Writing of "rites of passage" in societies "less civilized" than his own - where, in contrast to his modern secular "world", much of human affairs was sacred - van Gennep observed that a move from a "secular" to "sacred" condition (or vice versa) called for a transitional state: the liminal state. Neophytes in the liminal state are neither what they were nor what they will become; their ambiguous status as undefined individuals makes them socially invisible. The injured athlete, who no longer has the defining role of athlete, can be understood to experience such an ambiguous, undefined and invisible condition. We will consider the liminal state of the injured athlete as a transition from a "sacred" to a "profane" condition momentarily when we look more directly at the patient's "world". "Stigma", derived from the sociology of deviance, made prominent by Erving Goffman, originally referred to signs which signal "something unusual and bad about the moral status of the signifier...but is [currently] applied more to the disgrace itself than to the bodily evidence of it." (Goffman, 1963, p.1) Historical evidence points to the persistent association of disease with moral corruption (eg. Duby, 1988). Medical sociologists have shown that many sickness conditions are stigmatizing (eg. Schneider & Conrad, 1983) and produce dynamics of "management of a spoiled identity" (Goffman's phrase) common to those who are stigmatized. In addition, Hynman (1970) found that feeling stigmatized by one's sickness can adversely affect physical improvement as well as create psychological problems. Murphy (1990) offers a glimpse of the dynamics of guilt and shame associated with stigma in physical disability: Shame and guilt are one in that both lower self-esteem and undercut the facade of dignity we present to the world. Moreover, in our culture they tend to stimulate each other. The usual formula is that a wrongful act leads to a guilty conscience; if the guilt becomes publicly known, then shame must be added to the sequence, followed by punishment. There is a causal chain that goes from wrongful act to guilt to shame to punishment. A fascinating aspect of disability is that it diametrically and completely reverses this progression, while preserving every step. The sequence of the person damaged in body goes from punishment (impairment) to shame to guilt and, finally to the crime. This is not a real crime but a self-delusion that lurks in our fears and fantasies, in the haunting, never articulated question; What did I do to deserve this." (Murphy, 1990, pp.92-93) One of the injured athletes ponders culpability for his situation as follows: Oh, it was devastating. It was like the rug had been pulled out from under me. I had... I was one of these guys... I didn't drink and smoke, I used to... It was a big joke around my fraternity house that the guys would come to me on Sunday morning to find out what they'd done the night before because they knew that I wouldn't be drinking or smoking so that I'd be the only one that could remember what everybody else did so... I played it pretty straight and I never tried drugs, never... you know I realized that I had an opportunity here that I didn't want to mess up and I really felt in many respects that I had been cheated that I had abided by supposedly all the rules and it really hurt emotionally that a lot of teammates that I had, that I know had not been as strict with themselves and disciplined as I had been, the next fall especially, to see them going out on the field and playing and to have myself standing there on the sidelines. I felt like I had been cheated. Current writers on physical disability point to problems in using "stigma" for depicting the experience of the disabled. For example, they point out that "stigma" lumps together those who choose to deviate from moral standards (eg. prostitutes) with those whose stigmatizing condition is given rather than chosen (eg. African Americans and blind people). We leave to another paper a detailed explication of the debate about stigma and its applicability to understanding disability in general. If we return to our initial question about the role of the injured athlete's "world" in shaping the illness experience and if we conceive the world of athletics as, in someway, "sacred" (Giamatti, 1989), then LIMINALITY makes sense in its original reference to a transition state for the individual who crosses the boundaries between the "sacred" and "profane". The idea of sport's sacredness opens the experience of injured elite athletes to a unique application of STIGMA. Usually the stigmatized person loses his/her ordinary state and acquires a socially devalued one. The athlete's stigma, however, is the loss of a celebrated state and acquisition of ordinariness. "Chapter five" of the injured athletes' stories all consider the question of guilt as the loss of their former celebrity threatens their self-esteem - What did I do to deserve this? Consider the voices of the injured athletes as they speak of their liminal experience, their transition to being more of the profane world than the sacred world: ... I guess I'm kind of bitter - probably sports writers - when things were going good they're knocking the door down or stopping you in the hall for interviews and stuff like that, then when things went the other way, then they aren't interested in you. They just look the other way or pretend they don't see you and so I guess maybe that's just being realistic. You know when you go through a season you got all the preparation. You can see people - if you're not a part of it - all the sudden you're standing on the outside looking in. You feel kind of lost for a while. And I felt that way for a long time - I mean a long time being that whole following year...It wasn't so much a loss of self esteem as maybe - I always felt like people were looking at me differently like I was something less than I was before... those are still things that I can feel pretty readily...All the relationships I had before that (career end) were kind of cut or altered in some way because I wasn't that - I don't want to say "special" person - but that special quality that I had before was gone. I think people fail to realize the adulation and the feeling, the tremendous satisfaction that you get from playing sports and people add to that by writing about it and by talking about it and having it on TV and people recognize you for something that you do on a Saturday afternoon and really in every other way you're just exactly like them except for something that you do better and so much attention comes to that, that when you have to give it up it's very, very difficult and it's very ego deflating in a sense that people don't recognize you, people don't care about you, they don't have the same affection or the same intensity in a relationship is not there... Discussion: In this paper we have centered attention on the athlete's illness experiences; emotional responses to the loss of a "gloried self" (Adler & Adler, 1989). The illness experience differs markedly from the injury experience as reported in these patterned narratives. 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